Enriching Your Plot with Setting with Laura Elizabeth Woollett
Learn how to use place to drive your narrative
Join critically acclaimed author Laura Elizabeth Woollett to learn how to drive your narrative with setting and place in fiction.
Whether you’re writing about ancient Rome or your childhood home, a lively and convincing setting can creative narrative drive in your plot, and enhance your characterisation and action. Although we can’t always travel to the places (and eras) we want to write about, by using the tools available to us — including research, memory, imagination, and observation — we may venture further afield and find fresh ways of looking at the familiar. This workshop will teach you how to master the ‘when and where’ of your story without getting bogged down in detail or resorting to clichés.
You'll learn:
- What setting is and why it’s important
- How to travel far without leaving your room
- How to make familiar places compelling
- Shortcuts for establishing setting, including dialogue and action
- How to avoid tropes and cultural insensitivity
The course is designed to take you 4-5 hours in total, and can be completed in short stages at your convenience. Scroll down to see the full course curriculum and a list of frequently asked questions.
Read an interview with Laura about writing setting and place here.
"This course shows how you can breathe life into a place, and is an important reminder of how setting can make and/or break your story. Techniques, strategies, examples and practical exercises all make this course worth doing."
KYD Members receive a 10% discount on this course and all other KYD online courses throughout the year. Become a member here, or contact [email protected] for more information.
Want to buy a course for a friend? Purchase a gift voucher here.
Your Instructor
Laura Elizabeth Woollett is the author of The Love of a Bad Man (Scribe, 2016), and Beautiful Revolutionary (Scribe, 2018). She was a 2017 Asialink artist-in-residence at Komunitas Salihara (Jakarta). In 2018, she received a Neilma Sidney Travel Fund Grant to develop her forthcoming novel The Newcomer (Scribe, 2021), based on a 2002 murder on Norfolk Island. She was recently awarded a 2020-22 Marten Bequest Travelling Scholarship for prose.
Course Curriculum
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StartIntroduction
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StartTypes of Setting
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StartExercise: Five Settings
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StartShowing Your Setting
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StartThe Forest and the Trees
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StartDetailed Description: An Example
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StartQuote
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StartExercise: Detail
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StartAvoiding the Boring Stuff
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StartExercise: Changing the Object
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StartWays of Looking at Place
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StartPlaces as Aspirations
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StartPlaces as Baggage
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StartPlaces as Belonging
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StartPlaces as Pressure Cookers
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StartExercise: Thinking about Setting
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StartSummary
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StartIntroduction
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StartExercise: Dropping in the Deep End
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StartOutsiders and Insiders
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StartWhy Tell An Outsider Story?
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StartThings to Consider
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StartExercise: An Insider Perspective
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StartWhy Tell An Insider Story?
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StartThings to Consider
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StartResearch, Research, Research
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StartExercise: Researching a Setting
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StartHow Much Research Is Enough?
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StartTo Fictionalise or Not to Fictionalise?
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StartCase Studies: Fictionalising a Real Place
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StartExercise: Fictionalising a Place You Know
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StartSummary